The portrait gown has returned to favour, with all its traditions of elegance and formality—its yards of skirt, immense sashes, bare shoulders and long slim gloves. Ever since John Singer Sargent painted his elegant portraits, this gown has been ... [ILLUSTRATED]
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The Sunday Herald (Sydney, NSW : 1949 - 1953), Sun 18 Mar 1951, Page 12
It's easy and takes two shakes of a lamb's tail!
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