The new Dalinski masterpiece is without doubt the most socially relevant of his recent works. Long regarded as the most accessible of the Post-Modernist new pre-Raphaelite tendency in the post-War Iberian Supremitist movement. The heavily symbolic black square on a white ... [ILLUSTRATED]
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Woroni (Canberra, ACT : 1950 - 2007), Tue 13 Mar 1984, Page 1
It's easy and takes two shakes of a lamb's tail!
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