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Rank | Corrector | Lines corrected |
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1 | JohnWarren | 5,864,318 |
2 | noelwoodhouse | 3,932,757 |
3 | NeilHamilton | 3,428,585 |
4 | DonnaTelfer | 3,387,541 |
5 | Rhonda.M | 3,214,914 |
... | ||
659 | HezzieQ | 71,144 |
660 | leed | 71,093 |
661 | C.Weber | 70,897 |
662 | ray-coffey | 70,888 |
663 | LindaB | 70,811 |
664 | Trove15ART | 70,782 |
December 2019 | 79 |
November 2019 | 210 |
October 2019 | 301 |
September 2019 | 188 |
August 2019 | 825 |
April 2019 | 164 |
February 2019 | 87 |
January 2019 | 375 |
December 2018 | 146 |
November 2018 | 814 |
October 2018 | 6 |
September 2018 | 105 |
August 2018 | 112 |
July 2018 | 11 |
June 2018 | 159 |
April 2018 | 352 |
March 2018 | 655 |
February 2018 | 585 |
January 2018 | 265 |
December 2017 | 552 |
November 2017 | 151 |
October 2017 | 448 |
September 2017 | 29 |
August 2017 | 527 |
July 2017 | 211 |
April 2017 | 1,258 |
March 2017 | 968 |
February 2017 | 599 |
January 2017 | 1,248 |
December 2016 | 1,581 |
November 2016 | 1,192 |
October 2016 | 1,768 |
September 2016 | 1,087 |
August 2016 | 32 |
July 2016 | 523 |
June 2016 | 9 |
May 2016 | 579 |
April 2016 | 316 |
February 2016 | 130 |
January 2016 | 1,060 |
December 2015 | 690 |
November 2015 | 681 |
October 2015 | 382 |
July 2015 | 6 |
June 2015 | 111 |
May 2015 | 132 |
April 2015 | 90 |
March 2015 | 184 |
February 2015 | 1 |
January 2015 | 17 |
December 2014 | 47 |
November 2014 | 7 |
October 2014 | 203 |
September 2014 | 56 |
June 2014 | 644 |
May 2014 | 46 |
April 2014 | 252 |
March 2014 | 865 |
February 2014 | 239 |
January 2014 | 490 |
December 2013 | 419 |
November 2013 | 619 |
October 2013 | 510 |
September 2013 | 235 |
August 2013 | 185 |
July 2013 | 454 |
June 2013 | 369 |
May 2013 | 303 |
April 2013 | 3,578 |
March 2013 | 3,197 |
February 2013 | 1,569 |
January 2013 | 330 |
December 2012 | 363 |
November 2012 | 421 |
October 2012 | 117 |
September 2012 | 110 |
August 2012 | 981 |
July 2012 | 3,406 |
June 2012 | 809 |
May 2012 | 31 |
April 2012 | 223 |
February 2012 | 113 |
December 2011 | 196 |
August 2011 | 103 |
June 2011 | 1 |
May 2011 | 259 |
April 2011 | 290 |
March 2011 | 799 |
February 2011 | 2,878 |
January 2011 | 1,369 |
December 2010 | 316 |
November 2010 | 1,987 |
October 2010 | 774 |
September 2010 | 593 |
August 2010 | 1,664 |
July 2010 | 862 |
June 2010 | 3,924 |
May 2010 | 3,578 |
April 2010 | 2,607 |
March 2010 | 2,286 |
February 2010 | 1,193 |
January 2010 | 1,241 |
October 2009 | 391 |
December 2008 | 385 |
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Raymond Lindsay Reviews Sydney Art Show for Telegraph (Article), The Telegraph (Brisbane, Qld. : 1872 - 1947), Friday 4 September 1936 page 6 | 2019-12-03 18:08 | Reviews Sydney Ari\ £PHE anual exhibition of the New South A Wales 'Society of Artists is always its exhibits, and usually one can say. without exaggeration, that it would-be difficult to find anywhere to-day a col lection of works of art of such an1 even rpHIS year, however. 'it Is pleasing to note a few exceptions, to this general rule. The most notable of these Is the. Cezanne's influence, makes a most strik ing painting- It is particularly pleas ng calls for special attention, for his "Break fast Piece." which has been purchased by the National Art Gallery. Is a freshly painted genre subject; while. his- "La Perousc, Holiday," with its feel ing for light and movement amongst; the colourful holiday' crowd, ' is a type of subject matter which lias been, so far sadly neglected by. .Australian artists. !. , . Fred Lelst strikes a quaint .and original note in his "Diana" and "Pan with,.his use of Australian aboriginal and. animal" forms instead of the conventional -classi cal properties associated with such sub ()NE notices with regret that two. V Queensland members of the Society. however, other Queenslandcrs, who show distinctive works. LlOyd Rees in his usual style, and his "Evening Light is a conscientious and well studied -land planes of colour; while anollier Queens- lander, Walter Taylor, has some excel lent examples of the bookbinders .art, rpHE National Art Gallery has been which include John D. Moore's "Syd panoramic in its effect and lack drum's . stodgy "Interior," which . is values, and which. also won the Society of Artists'- annual . award; and Will Ashtonis "Gospel." Other outstanding works- are Harold Abbott's portrait of "Susan . Davles,"' for ' it's subtle tone and colour;' Douglas Dundas', -".The character. . ' . - shows his splendid feeling for. por traiture in his heads of Hugh McCrac Donald's head of Edward Xj. Meyers, Esq., is modelled with a fine sim There Is also an Interesting' section examples, by Gerald Kelly, R.A., Dame Laura Knight, R.A., Phillip Conriard, Jacob' Epstein. " |
Reviews Sydney Art THE anual exhibition of the New South Wales Society of Artists is always its exhibits, and usually one can say, without exaggeration, that it would be difficult to find anywhere to-day a col- lection of works of art of such an even THIS year, however. it Is pleasing to note a few exceptions to this general rule. The most notable of these is the Cezanne's influence, makes a most strik- ing painting. It is particularly pleasing calls for special attention, for his "Break- fast Piece," which has been purchased by the National Art Gallery, is a freshly painted genre subject; while his "La Perouse, Holiday," with its feel- ing for light and movement amongst the colourful holiday crowd, is a type of subject matter which has been so far sadly neglected by Australian artists. Fred Leist strikes a quaint and original note in his "Diana" and "Pan with his use of Australian aboriginal and animal forms instead of the conventional classi- cal properties associated with such sub- ONE notices with regret that two Queensland members of the Society however, other Queenslanders, who show distinctive works. Lloyd Rees in his usual style, and his "Evening Light" is a conscientious and well studied land- planes of colour; while another Queens- lander, Walter Taylor, has some excel- lent examples of the bookbinders art, THE National Art Gallery has been which include John D. Moore's "Syd- panoramic in its effect and lack- drum's stodgy "Interior," which is values, and which also won the Society of Artists' annual award; and Will Ashton's "Gospel." Other outstanding works are Harold Abbott's portrait of "Susan Davies,"' for it's subtle tone and colour; Douglas Dundas' "The character. shows his splendid feeling for por- traiture in his heads of Hugh McCrae Donald's head of Edward L. Meyers, Esq., is modelled with a fine sim- There is also an interesting section examples by Gerald Kelly, R.A., Dame Laura Knight, R.A., Phillip Connard, Jacob Epstein. |
R.M.S. ROMA. (Article), The Telegraph (Brisbane, Qld. : 1872 - 1947), Wednesday 26 September 1883 [Issue No.3,416] page 2 | 2019-12-02 15:52 | E.M.S! EOMA, TnB R.M^. Roma, from London via ports, with passengers, immigrants, and cargo, arrived ? noon yesterday, a day and a half in advance of , . ooutrait lirsB. On leaving I'fyrmoutb. on thet ' 1st of AuguBt, aho had on board for Queensland , |
R.M.S. ROMA The R.M.S. Roma, from London via ports, with passengers, immigrants, and cargo, arrived noon yesterday, a day and a half in advance of contract time. On leaving Plymouth on the 1st of August, she had on board for Queensland |
ART BOOKBINDING. (Article), The Daily Mail (Brisbane, Qld. : 1903 - 1926), Thursday 4 August 1921 [Issue No.5970] page 4 | 2019-12-02 12:42 | ART BOOKBINDING. ' In tho exhibitbn at prcsont boing bold by Mr. Lloyd Roes and Mr. Wal Tay lor, in Mis Eholdon's gallery, the ex quieilo bookbindings of t.re latter are a notable feature. Beautiful morocco, care- full? selected, as dclicatolv tooled tn eotd and overlaid in vnri-colourrd leathers in dollglitful designs. Tlio work of lliia artist-ciuftsman is a delight to (ho touch 1 as well o« to tho oyc. and it is to bo hoped that the revival of tho beautiful work In Australia will receive the en couragement it so richly desorves. There aro tuo rpeclmen of binding in thu pre sent exhibition, which will bo open for tv/o weeks, ana tho designs cover's largo range and oxhibila very cnarming variety |
ART BOOKBINDING. In the exhibition at present being held by Mr. Lloyd Rees and Mr. Wal Tay- lor, in Miss Sheldon's gallery, the ex- quisite bookbindings of the latter are a notable feature. Beautiful moroccos, care- fully selected, as delicately tooled in gold and overlaid in vari-coloured leathers in delightful designs. The work of this artist-craftsman is a delight to the touch as well as to the eye, and it is to be hoped that the revival of the beautiful work in Australia will receive the en- couragement it so richly deserves. There are ten specimens of binding in the pre- sent exhibition, which will be open for two weeks, and the designs cover a large range and exhibits a very charming variety |
L. French paintings (Article), The Canberra Times (ACT : 1926 - 1995), Friday 8 September 1967 [Issue No.11,788] page 13 | 2019-11-13 16:07 | diameter, will be ex the first time in Can |
diameter, will be ex- the first time in Can- |
FRENCH GLASS (Article), The Canberra Times (ACT : 1926 - 1995), Sunday 6 April 1986 [Issue No.18,449] page 88 | 2019-11-13 16:00 | a )ob. They said-sthey didn't' want" anyone. ,1, came.b'ack ; tHe;- next'' Saturdayv and • showedthem" my.work.'.vThey, said 'No.' But I said, ,!I'm pretty goodj^kem^i i .■■■-. comini|back|and|evenmallyiwbref^em^ v' down;vThey.tookffiei on?as: an4pprenticesfd i-ssHe said thatiwas^bsolutelynnyaluable^l? He learnt--things-, unknown; topmost,*, painters, 'all ;;the^brands?and\ makes .ofl. brushesji'alllabWtfwhitelrea'dricHro'mcs/ •! /cadmiumyUhetcompositionsoii.pairit.';;-,'>ia:P ,\"I still make,u'^l^my'own,pdnt^"{hse"?;. said.' !'Ii have;powdere'd;;pigments'' from'*5 everywhere.", Victor - Greenhalge;-,head - of/'the'i}'"art>; department at;Melbourne ,Tech. "Not 'a ;; great sculpt6r"and;riot even a great:artist:■}; He.saw:some; thingsilswas doing.when;Ik was signwriting. and he said, 'Do you paint?' I said, ,'Yes' .. . 'You'd better come up,totart classes.' I told him, I couldn't, afford, it.iHe said, - 'Oh, you don't have to pay:'(.Then, when I was 18, v he. saidil'You^gotja suit? You can take1* over my drawing and design class.'- It " : : was marvellous for me because I thoughts , but then'they: all. seemed' so privileged; sl:,^ |
a job. They said they didn't want anyone. I came.back the next Saturday and showed them my work.They said 'No.' But I said 'I'm pretty good.' I kept coming back and eventually wore 'em down; They took me on as an apprentice for five years." He said that was absolutely invaluable. He learnt- things unknown to most painters, all the brands, and makes of brushes; alll about white lead, chromes, cadium, the composition of paint. "I still make up all my own paint," He said. "I have powdered pigments from everywhere." Victor Greenhalge, head of the art department at Melbourne Tech. "Not a great sculptor and not even a great artist. He saw some things l was doing when I was signwriting, and he said, 'Do you come up to art classes.' I told him I couldn't, afford it. He said, 'Oh, you don't have to pay:' Then, when I was 18, he said 'You got a suit? You can take over my drawing and design class.' It was marvellous for me because I thought ,but then they all seemed so privileged. I |
FRENCH GLASS (Article), The Canberra Times (ACT : 1926 - 1995), Sunday 6 April 1986 [Issue No.18,449] page 88 | 2019-11-13 14:58 | IEONARD FRENCH has not i in Melbourne's National • It's bullocking labour. And he's get 2'/z metres of it. Then you get a sort of everything's alive. The priest and his J vestry, simple people, imaginative. I J reckon they were real brave to take it on. \ Not like some of your smartarse \ art critics and gallery directors." h Len French starts every day at 7.30 am C |
LEONARD FRENCH has not in Melbourne's National It's bullocking labour. And he's get- 2½ metres of it. Then you get a sort of everything's alive. The priest and his vestry, simple people, imaginative. I reckon they were real brave to take it on. Not like some of your smartarse art critics and gallery directors." Len French starts every day at 7.30 am |
PURPOSEFUL READING LEONARD WOOLF'S "AFTER THE DELUGE" (Article), The Age (Melbourne, Vic. : 1854 - 1954), Saturday 30 April 1932 [Issue No.24,041] page 4 | 2019-11-13 14:41 | h>illlunillllllliillllllllUiliiiiiiiiiiliiiiitiiiiiiiliii,iii>iilii<i>i.uiiiiiii,iii>iii>iiii;i.uiiu 1 1- purposeful j : : READING : : LEONARD J WOOLF'S Hi "AFTER THE V DELUGE" I v., in iii-n,ini.iiiiii;iii-iin;"iii-u"i..ai)-st!i-:;vni-<i:ini!ii BY W.M.B. an--li.-lLM.i.w.«1r..iwi;i».i«n,sw.rfi«|«r:«i!Miifl- of Parliament after tho last elections, "want to feel the hand of a lulcr," and Yet the difficult question remains, Wlnl sort of ruler 1 Plato was convinced that |
purposeful : : READING : : LEONARD WOOLF'S "AFTER THE DELUGE" BY W.M.B. of Parliament after the last elections, "want to feel the hand of a ruler," and Yet the difficult question remains, What sort of ruler ? Plato was convinced that |
ART THE SEVEN DAYS THE SEVEN DAYS, by Leonard French, in the Albert Hall; September 29 — October 5. PAINTINGS BY GEOFFREY DAVIS at Nundah Gallery; September 29 — October 8. PAINTING FROM THE COMMONWEALTH COLLECTION in the Theatre Centre Gallery (weekend only). PAINTINGS IN THE OPEN AIR by Canberra artists in Civic Square (weekonly). (Article), The Canberra Times (ACT : 1926 - 1995), Saturday 30 September 1967 [Issue No.11,807] page 13 | 2019-11-13 14:36 | the Albert Hall; Sep September 29 - Octo THE COMMON Theatre Centre Gal Civic Square (i veek rpWO years ago it was Leonard French's paint University by an anony they have toured over They are very well pre scnted in enforced se for it suits them excel known (the Samos minia tures, very similar al shown in the Menzies Lib contrives a kind of decora use the gravid look of sym * « . French and Nolan in Can some 'traditional' land scapes and some unconvin . * . Gallery there is an exhi bition of paintings pur chased by the Common since 3958. It was in that graxit to buy paintings for and the criterion for selec acquisition. It is an interest . . . have provided large pic the weekend. It is a cheer ful and commendable en |
the Albert Hall; Sep- September 29 - Octo- THE COMMON- Theatre Centre Gal- Civic Square (week- TWO years ago it was Leonard French's paint- University by an anony- they have toured over- They are very well pre- sented in enforced se- for it suits them excel- known (the Samos minia- tures, very similar al- shown in the Menzies Lib- contrives a kind of decora- use the gravid look of sym- * * * French and Nolan in Can- some 'traditional' land- scapes and some unconvin- * * * Gallery there is an exhi- bition of paintings pur- chased by the Common- since 1958. It was in that grant to buy paintings for and the criterion for selec- acquisition. It is an interest- * * * have provided large pic- the weekend. It is a cheer- ful and commendable en- |
ART Luminous canvases celebrate Genesis Leonard French: 'The Seven Days of Creation', Melville Hall, ANU, till April 6, 12.30pm-4.30pm. (Article), The Canberra Times (ACT : 1926 - 1995), Thursday 27 March 1986 [Issue No.18,439] page 12 | 2019-11-13 14:07 | Luminous canvases ; celebrate Genesis ; Leonard French: 'The Seven Days of Creation', ' Melville Hall, ANU, till April 6, I2.30pm-4.30pm. ' XjEONARD French's 'The Seven Days of Crea series was conccived as an answer to his son's give expression to this revelation. As a series,-it is fish, bird, flowers and clockwork forms are all. displaced within a colouristically intense geometric: feast cyclc of icons or mosaics found in the Or of symbols. These symbols arc a sort of life force and in the continual cyclc of killing off these convert the canvases into gleaming jewel-like sur |
Luminous canvases celebrate Genesis Leonard French: 'The Seven Days of Creation', LEONARD French's 'The Seven Days of Crea- series was conceived as an answer to his son's give expression to this revelation. As a series, it is fish, bird, flowers and clockwork forms are all displaced within a colouristically intense geometric feast cycle of icons or mosaics found in the Or- of symbols. These symbols are a sort of life force and in the continual cycle of killing off these convert the canvases into gleaming jewel-like sur- |
ART Geometry and religion A travelling exhibition, THE SAMOS MINIATURES, by Leonard French. At the R. G. Menzies Library of the ANU: August 2-14. (Article), The Canberra Times (ACT : 1926 - 1995), Tuesday 3 August 1965 [Issue No.11,224] page 12 | 2019-11-13 13:42 | Menzies Library of the AJSU: August 2-14. pYTHAGOR A S, geometry and re for its wines. Leon entirely o£ very small pictures, ;i few inches in way of most . naturalistic are bold, simple, and al painted pn small masonite to raise and set back rec tangles and circles of var is powerful, and many pi the pictures must be de towns are so well furn Leonard French's pic have the same air of an painting and the repaint of silver relief to an anci ent surface, the incrusta times of precious and semi Tn some cases, where drawn, there is the eflcct of an ancient wall or ceil that has peeled, been re stored. and peeled again. This is so in such a pic others, such as S t u <ly Tor Banner of Fishes, the Not .only the Orthodox symbolic imagery o£ By source of significant pat the silver and blue of bar join the. suave gold is in any case itself deri mystery-mongcring of halt magical religiosity: Mad ame Blavatsky and Theo sophy, Jung and the man dala image. Mandaln over heritage, but rather re 1 quires initiation into deep 1 Not that this matters in the least. One is not, 1 think, invited to appreci slight fragment of pat THE COCK 11" by 9V from the exhibition, |
Menzies Library of the ANU: August 2-14. PYTHAGORAS, geometry and re- for its wines. Leon- entirely of very small pictures, a few inches in way of most naturalistic are bold, simple, and al- painted on small masonite to raise and set back rec- tangles and circles of var- is powerful, and many of the pictures must be de- towns are so well furn- Leonard French's pic- have the same air of an- painting and the repaint- of silver relief to an anci- ent surface, the incrusta- times of precious and semi- In some cases, where drawn, there is the effect of an ancient wall or ceil- that has peeled, been re- stored, and peeled again. This is so in such a pic- others, such as Study for Banner of Fishes, the Not only the Orthodox symbolic imagery of By- source of significant pat- the silver and blue of bar- join the suave gold is in any case itself deri- mystery-mongering of half magical religiosity: Mad- ame Blavatsky and Theo- sophy, Jung and the man- dala image. Mandala over heritage, but rather re- quires initiation into deep Not that this matters in the least. One is not, I think, invited to appreci- slight fragment of pat- THE COCK 11" by 9½" from the exhibition, |