1933, English, Unpublished edition: Cortes, Ramiro Ramiro Cortes

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Cortes, Ramiro
 
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Physical Description
  • 50 lin. ft., ead
Published
  • J. Willard Marriott Library, University of Utah
  • Manuscripts Division
  • 1933; 1934; 1935; 1936; 1937; 1938; 1939; 1940; 1941; 1942; 1943; 1944; 1945; 1946; 1947; 1948; 1949; 1950; 1951; 1952; 1953; 1954; 1955; 1956; 1957; 1958; 1959; 1960; 1961; 1962; 1963; 1964; 1965; 1966; 1967; 1968; 1969; 1970; 1971; 1972; 1973; 1974; 1975; 1976; 1977; 1978; 1979; 1980; 1981; 1982; 1983; 1984; 1985; 1986; 1987; 1988
Language
  • English

Edition details

Title
  • Cortes, Ramiro
Creator
  • Ramiro Cortes
Published
  • J. Willard Marriott Library, University of Utah
  • Manuscripts Division
  • 1933; 1934; 1935; 1936; 1937; 1938; 1939; 1940; 1941; 1942; 1943; 1944; 1945; 1946; 1947; 1948; 1949; 1950; 1951; 1952; 1953; 1954; 1955; 1956; 1957; 1958; 1959; 1960; 1961; 1962; 1963; 1964; 1965; 1966; 1967; 1968; 1969; 1970; 1971; 1972; 1973; 1974; 1975; 1976; 1977; 1978; 1979; 1980; 1981; 1982; 1983; 1984; 1985; 1986; 1987; 1988
Physical Description
  • 50 lin. ft., ead
Subjects
Notes
  • The Ramiro Cortes Papers (1933-1988) document the personal and professional life of the first significant Mexican-American composer, Ramiro Cortes (1933-1984), of serious twentieth-century music in the United States.; Biographical Sketch; PERSONAL MATERIALS; Personal Materials; Academic Materials; Autobiography; Biographical Information, Published; Biographical Information, Unpublished; Birth Certificate; Family Coat of Arms; Death--Letters of Condolence; Death--Tributes; Divorce; Elvira C. Good Estate; Marriage Certificate and Wedding Announcements; Military Forms (DD 48); Passports; Resume; Tax Information; Wills; Wilton, Connecticut; Miscellaneous Materials; South High School Yearbooks, Denver, Colorado; Address Books, Membership Lists, and Daily Planners; Address Books; International Society for Contemporary Music; University of Southern California; Address Lists, Miscellaneous; Class schedules, University of California at Los Angeles; Daily Planners; Correspondence; Letters to Nancee Cortes from Ramiro Cortes; Letters to Nancee Cortes, Undated; General Correspondence, A B; General Correspondence, Banham, Paul; General Correspondence, C; General Correspondence, Durham, Lowell; General Correspondence, D P; General Correspondence, Theodore Presser Co.; General Correspondence, R T; General Correspondence, University of Utah; General Correspondence, V W; General Correspondence, Miscellaneous; General Correspondence, Birthday Cards; Awards and Honors; American Society of Composers, Authors and Publishers Standard and Popular Awards; Friends of Harvey Gaul Award; George Gershwin Memorial Award; John Day Jackson Prize; John Hay Whitney Foundation Fellowship; National Federation of Music Clubs Young Composers Award; National Institute of Arts and Letters Grant; Queen Elizabeth of Belgium International Competition; Steinway Composition Contest Award; Competitions; South High School, Diploma; University of Southern California, Diploma; Awards and Prizes; Scholarships and Fellowships; Schools, Institutions, Foundations; NEWSPAPER AND MAGAZINE ARTICLES; Newspaper and Magazine Articles; Newspaper and Magazine Articles; Newspaper and Magazine Articles, Undated; Newspaper and Magazine Articles, Nancee Cortes; Miscellaneous Articles and Newsclippings; PROGRAMS; Programs; Public Performance Lists; Selected Reviews; Programs; Programs, Miscellaneous; Program Notes; CONTRACTS, ROYALTIES, RECORDING INFORMATION; Contracts, Royalties, Recording Information; Contracts; The Patriots; Rental Catalogues; Royalties; COMPOSITIONS; Compositions--Works for Piano; Theme; Prelude in G Sharp Minor for Piano; Prelude (Largo) for Piano; March of the Drawfs [sic] for Piano; Hungarian Danse in C Minor for Piano; Fantasia in G Minor for Piano; Five Pieces for Piano; Music for Piano: Seven Short Pieces, Rev.; Compositions--Works for Piano; The Sea Gives Up Its Ghosts: Dance for Eve Gentry for Piano; Piano Sonata; Canons and Interludes for Piano; Canons and Interludes for Piano, First Rev.; Canons and Interludes, Second Rev.; Canons and Interludes, Third Rev.; Three Pieces for Piano; Three Pieces for Piano, Rev.; Suite for Piano; Second Piano Sonata; The Genie of the Waters; Prelude; Variation for Piano Four Hands on a Theme of Ulysses Kay; Three Variations on Mozart K. 457, Third Movement, Measures 1-16; Birthday Variation for Victoria Bond; Brief Candles; Brief Candles, Rev.; Third Sonata for Piano (first score LA); Third Sonata for Piano; Compositions--Works for Piano, Harpsichord, Organ, Voice, and Piano or Organ; Stravinsky: Concerto in D for Strings, Version for Piano Four Hands; Little Lullaby; Variations on a Theme Composed in Class for Marie Nelson's Harpsichord; Rick's Harpsichord Fantasy; Two Chorale Preludes for Organ; Christ Lag in Todesbanden: Organ Prelude; Meditation on Christ Lag in Todesbanden for Organ; Guitarra: Three Songs for Mezzo Soprano and Piano on Poems by F. Garcia Lorca; Three Spanish Songs: La Guitarra (The Guitar), Rev.; Three Spanish Songs: Las Seis Cuerdas (The Six Strings), Rev.; Three Spanish Songs: Adivinanza de la Guitarra (The Riddle of the Guitar), Rev.; The Falcon for Soprano and Piano; The Falcon, Rev.; Ode to a Nightingale for High Voice and Piano on the Poem by John Keats (1795 1821); Ode to a Nightingale for High Voice and Piano; Ode to a Nightingale for High Voice and Piano; Ode to a Nightingale for High Voice and Piano; Ode to a Nightingale for High Voice and Piano; Ode to a Nightingale for High Voice and Piano, Rev.; Compositions--Works for Voice and Piano or Organ; I Am No Subject Unto Fate; I Am No Subject Unto Fate; The Haven; De Profundis, A Song Cycle; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Song Anthology; Five Songs; Compositions--Voice and Piano or Organ, Voice with Instruments; Stephen Foster's Jeanie with the Light Brown Hair; To the Sacred Moon (Theocritus); Commitment of Two Lives to Single Hopes; Tre Sonetti di Cavalcanti; A Nocturnal upon S. Lucies Day for Tenor Voice and String Quartet on the Poem by John Donne (1573 1631); A Nocturnal upon S. Lucies Day for Tenor and String Quartet on the Poem by John Donne, Rev.; America: A Cycle of Four Songs for Soprano and String Orchestra on Poems by Herman Melville (1819 1891); America: Song Cycle on Poems by Herman Melville for Soprano Voice and String Sextet or String Orchestra, Rev.; Compositions--Voice with Instruments, Choral Works; Reve Parisien de Charles Baudelaire; Reve Parisien de Charles Baudelaire, Rev.; Reve Parisien de Charles Baudelaire, Second Rev.; Igor Stravinsky: Pribaoutki Arranged for Voice, Violin, Clarinet and Piano; Hark, Hark! The Lark! for Mixed Chorus, Unaccompanied on a Poem by William Shakespeare; Last Leaves of Autumn; Questing for Chorus of Mixed Voices, Unaccompanied; Three Cinquains for Four Part Chorus of Mixed Voices, Unaccompanied; Three Cinquains for Chorus of Mixed Voices on Poems of Adelade Crapsey, Rev.; Quartet For Chorus of Mixed Voices, Unaccompanied, on Original Poems by James Stanley Brakhage; Quartet for Chorus of Mixed Voices on Original Poems by J. S. Brakhage, Rev.; Missa Brevis (Kyrie Gloria) for S.S.A. and Eleven Woodwind Instruments; Compositions--Choral Works, Chamber Music; Two Songs (1. To the Old, Long Life... 2. Slow, Slow, Fresh Fount...); Music for Reformation Vespers, Princeton University Chapel; Motet for Chorus and Organ; Three Motets for Chorus of Mixed Voices, Unaccompanied; A Shakespeare Song for Mixed Chorus (Soprano, Tenor, and Bass Soloists) with Piano Accompaniment; A Shakespeare Song from a Midsummer Night's Dream (Act II, Scene II), Rev.; Put Out to Sea (Thalassa); A Nocturnal Upon S. Lucies Day; Turn Back, O Man; Fantasia Mexicana for Two Violins; Quintet for Piano and Strings; Overture to a Shakespearean Tragedy Transcribed for Piano and String Quartet; Overture to a Shakespearean Tragedy Transcribed for Flute, Clarinet, Violin, Cello, Trumpet, and Piano; First String Quartet; String Quartet; Compositions--Chamber Music; Flamenquerias: Divertimento for Woodwind Trio; Divertimento for Woodwind Trio, Rev.; Quintet for Piano and Strings; Night Music for Sixteen; Canto I. (Night Music) for Sixteen, Rev.; Introduction and Dirge for Brass and Percussion; Compositions--Chamber Music; Chamber Concerto No. I for Violoncello Solo and Twelve Wind Instruments; Chamber Concerto for Violoncello Solo and Twelve Wind Instruments, Rev.; Chamber Concerto for Cello and Twelve Winds, Rev.; Compositions--Chamber Music; A Nocturnal Upon S. Lucies Day for String Quartet; Nocturne (Tis the Year's Midnight); Trio in One Movement; Trio in One Movement, In-Between Version; Trio in One Movement, Final Version; String Quartet; Incursion: A Dance Work; Chamber Piece for Nine Players; Chamber Piece for Nine Players; String Quartet (Silvermine Version); Duo for Flute and Oboe; Compositions--Chamber Music; The Brass Ring; The Brass Ring, Rev.; Three Movements for Five Winds; Variations on a Theme by Halsey Stevens; Compositions--Chamber Music; Study in Black; Charenton Variations for Flute, Oboe, Clarinet, Bassoon, Piano, Violin, Viola, Cello; Charenton Variations for Eleven Instruments; Double Fugue from Charenton Variations; Capriccio for Woodwind Quartet; Fugue No. IV from "The Well Tempered Clavier," Vol. I, by J. S. Bach; Machaut: Ma Chiere Dame; Homage to Jackson Pollock; Compositions--Chamber Music; String Quartet; Little Suite, Chamber Version; Untitled Version of Concerto for Violin and Strings for String Quartet; Untitled Version of Violin Concerto for String Quartet and Piano; Compositions--Chamber Music; Trio for Clarinet, Cello, and Piano; Concertino (1920) by Igor Stravinsky; Second String Quartet; Compositions--Chamber Music; "Le Jour S'endort," by Dufay; "O Alter Duft," by Arnold Schoenberg, Op. 21; J. S. Bach, Cantata No. 4 "Christ Lag in Todesbanden"; "Dido's Lament," by Purcell; Untitled (from Bach: Musical Offering); J. S. Bach: Musical Offering, Canon a Four; Duo for Violin and Piano; Duo for Violin and Piano, Rev.; Sonata for Violin and Piano; Elegy for Violin and Piano; Partita for Solo Violin; Sonata for Violin and Piano; Sonata for Violin and Piano; Compositions--Violin, Viola, Violoncello, Flute, Clarinet, Alto Saxophone, Trumpet; Suite for Violin and Piano; Duo; Homage to Jackson Pollock for Viola Alone; Three Lyric Pieces for Violoncello and Pianoforte; Two Lyric Pieces for Cello and Piano; Untitled for Solo Cello; Cello Sonata; Cello Sonata; "Gavotte for Cello and Piano," by W. A. Mozart; Elegy for Flute and Piano; Elegy for Flute and Piano, Rev.; Sonata for Flute and Piano; Duo for Clarinet and Piano; Five Studies for Alto Sax; Trumpet Sonata; Trumpet Sonata, Rev.; Compositions--Works for Full Orchestra; Overture to a Shakespearean Tragedy for Orchestra; Overture to a Shakespearean Tragedy for Orchestra, Rev.; Sinfonia Sacra for Orchestra; Sinfonia Sacra for Orchestra; Sinfonia Sacra, Rev.; Yerma: Symphonic Portrait of a Woman for Orchestra; Compositions--Works for Full Orchestra; Yerma: Symphonic Portrait of a Woman for Orchestra; Compositions--Works for Full Orchestra; Xochitl, for Orchestra; Xochitl: A Symphonic Portrait, Rev.; Symphony No. II for Orchestra; Compositions--Works for Full Orchestra; Symphony No. III for Large Orchestra; Symphony No. III for Large Orchestra; Sinfonia Breve No. II; Orchestra Works; Sinfonia Breve No. I; Sinfonia Breve No. II; Sinfonia Sacra, Rev.; Compositions--Works for Full Orchestra; Symphony in One Movement; Symphony in Three Movements for Small Orchestra; Six Lyric Pieces for Small Orchestra; Music for a Pantomime for Orchestra; The Eternal Return; The Eternal Return; The Eternal Return: Introduction and Rondo for Orchestra; Compositions--Works for Full Orchestra; Suite for Orchestra; Charenton Variations for Chamber Orchestra; Charenton Variations, Rev.; Movements in Variation; Compositions--Works for Full Orchestra; Movements in Variation; Compositions--Works for Full Orchestra; Little Suite for Orchestra; Compositions--Works for Full Orchestra; Little Suite for Orchestra; Compositions--Works for Full Orchestra; Symphony No. II; Symphonic Celebration; Symphony No. II; Symphonic Celebration; Symphonic Celebration; Compositions--Works for Full Orchestra; Symphonic Celebration; Compositions--Works for Full Orchestra; Symphonic Celebration; Compositions--Works for Full Orchestra, Works for Chamber Orchestra, Works for String Orchestra; Tchaikovsky Piece from Nutcracker; Pictures at an Exhibition by Modest Mussorgsky; Rameau, Tambourin; Miscellaneous Masters; Five Short Pieces for Chamber Orchestra; Variations for Chamber Orchestra; Four Pieces for Baritone Voice and Chamber Orchestra; Four Pieces for Baritone Voice and Chamber Orchestra; Introduction and Allegro; The Fascination of What's Beautiful; Introduction and March for Strings; Slow Dance for Strings (From Prometheus); Compositions--Works for String Orchestra; Concertino for Strings; Meditation on Christ Lag in Todesbanden for String Orchestra; Untitled Version of Concerto for Violin and Strings for String Orchestra; Igor Stravinsky: Pas de Deux from Orpheus; Little Lullaby (for Strings); Music for Strings; J. S. Bach, Cantata No. 4, Christ Lag in Todesbanden, Sinfonia; "Erotik," by Edvard Grieg, Op. 43, No. 21; Mozart Minuetto; Compositions--Works for String Orchestra, Solo Concertos; R. Schumann: Traumerei; Scriabine: Prelude, Op. 11, No. 4; Schoenberg: Op. 19, No. III; Concerto for Solo Violin and Strings; Violin Concerto, Odd Version; Concerto for Violin and Strings, Rev.; Concerto for Violin and Strings; Compositions--Solo Concertos; Concerto for Harpsichord and String Orchestra; Piano Concerto; Compositions--Solo Concertos; Piano Concerto; Compositions--Solo Concertos; Piano Concerto; Compositions--Solo Concertos, Works for Band; Piano Concerto; Bridges; Finale for Bridges; Bridges (last part); Concerto for Alto Sax and Band; Contrasts; Compositions--Works for Band; Contrasts; Compositions--Works for Band, Stage Works; Untitled Composition for Band; Steps to Broadway; Steps to Broadway; Steps to Broadway; Low Valley for Voice and Piano; You Were There; Weeping Willow; Alone With You; The Christmas Garden; Pittsburgh; Pittsburgh; Compositions--Stage Works; Prometheus; Prometheus; LowDown; Compositions--Stage Works; Music for She Stoops to Conquer by Oliver Goldsmith; The Eternal Return; Incidental Music for Anthony and Cleopatra; Compositions--Stage Works; The Eternal Return; "The Purification," An Opera in One Act on the One Act Verse Play by Tennessee Williams; Centennial Film; The Patriots; Compositions--Stage Works; The Patriots; Compositions--Stage Works; The Patriots; The Patriots; Compositions--Stage Works; The Patriots; The Patriots; Compositions--Stage Works; The Patriots; The Patriots; Miscellaneous Compositions; Composition Sketches; Songs; Opera Sketches; Quaderno Musicale, Roma; Miscellaneous Compositions; Miscellaneous Pencil Sketches; Absent from Thee; Clarinet, Viola, Violoncello, Piano; Finale, Incomplete; Music for a Comedy Overture; No. 784 String Orchestra; Orchestra; Orchestra I Lento; Orchestra, Horn, Strings; Orchestra, Chimes, Piano; Orchestra with Piano; Orchestra Adagio; Orchestra Allegro Sherzoso; Orchestra Piece, Fifth Movement; Quartet in One Movement; Stage; Stage; Strings; Tenor or Soprano with Piano; Treble with Piano; Treble with Strings, Rev.; Treble, Cello, Piano, Halsey Stevens; Treble Voice with Piano; Viola and Piano; Voice and Piano; Woodwinds, Horn, Harp, Strings; Sarabande, Celli I; Pencil Sketches; Pencil Sketches; Pencil Sketches; Composition Information; Annotated Catalogue of Compositions by Viki Curry; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Composition Information Forms; Compositions, Miscellaneous Lists; Personal Notes; A Record Book of Compositions; Chronological List of Works by Ramiro Cortes; ACADEMIC MATERIALS; Course Materials, Music 10c-133b; Music 10c, Musicianship; Music 11c, Harmony; Music 107A, Composition; Music 133a, Theory I; Music 133b, Theory II; Course Materials, Music 156-358; Music 156, Theory I; Music 157, Theory II; Music 158, Theory III; Music 158, Theory III; Music 233a; Music 233b; Music 234a, Counterpoint; Music 234b, Counterpoint; Music 237a, 237b; Music 337a; Music 356, Theory II; Music 357, Theory II; Music 358, Theory III; Course Materials, Music 547-549; Music 547, Orchestration I; Music 547, Orchestration I; Music 547, Orchestration I; Music 547, Orchestration I; Music 547, Orchestration I; Music 547, Orchestration I; Music 548, Orchestration II; Music 548, Orchestration II; Music 549, Orchestration III; Music 549, Orchestration III; Miscellaneous Orchestration Materials; Miscellaneous Orchestration Materials, 547-549; Music 547, Orchestration I; Music 548, Orchestration II; Music 549, Orchestration III; Miscellaneous Materials; Course Materials, 556-629; Music 556, Counterpoint; Music 557, Counterpoint; Music 558, Counterpoint; Music 558, Counterpoint; Music 558, Counterpoint; Counterpoint Workbooks; Counterpoint Assignments; Counterpoint Materials; Modal Counterpoint in the Style of the Sixteenth Century by Ernst Krenek; Counterpoint Examples; Music 627, Twentieth Century Analytical Techniques; Music 628, Twentieth Century Analytical Techniques; Music 629, Twentieth Century Analytical Techniques; Music 629, Twentieth Century Analytical Techniques; Course Materials, 651-653; Music 651, Advanced Formal Procedures; Music 652, Advanced Formal Procedures; Music 653, Advanced Formal Procedures; Music 653, Advanced Formal Procedures; Miscellaneous Course Materials; Understanding Music, Lecture Notes; Lecture Notes; Assignments and Class Materials; Graduate Entrance Examinations; Examinations; Musical Examples; Composer Lists; Lists of Orchestration Tapes; Miscellaneous Course Materials, University of Southern California and University of Utah; University of Southern California; University of Utah; Miscellaneous Student Papers and Research Grant Materials; David A. Morales; John Thow; Research Grant Materials; Research Grant Materials, Miscellaneous Compositions; Miscellaneous Writings (A Z); "Articles on Ancient Music"; "Comparative Analysis of the Overtures Beethoven Wrote for his Opera `Fidelio'"; "Comparative Dualism in Augustine and Marx"; "The Eternal Return," Libretto; "Music Theory and Practice"; "The Piano Music of Ramiro Cortes"; "Production of a Shakespearean Tragedy"; "The Twelve Tone Music of Luigi Dallapiccola"; "Works By Modern Composers"; Poetry, Miscellaneous Writings, and Personal Notes; Poetry; Personal Notes; Lists of Compositions and Performances; Record of Compositions; Personal Notes; WORKS BY OTHER COMPOSERS; Johann Christian Bach - Johann Sebastian Bach; Bach, Johann Christian: Sonata; Bach, Johann Sebastian: Canons; Bach, Johann Sebastian: Cantatas; Bach, Johann Sebastian: Chorale Preludes; Bach, Johann Sebastian: Chorale Harmonizations; Bach, Johann Sebastian: Chorale Harmonizations; Bach, Johann Sebastian: Concertos; Bach, Johann Sebastian: Fugues and Preludes; Bach, Johann Sebastian: Fugues and Preludes; Bach, Johann Sebastian: Fugues and Preludes; Bach, Johann Sebastian: Fugues and Preludes; Bach, Johann Sebastian: Fugues and Preludes; Bach, Johann Sebastian: Fugues and Preludes; Bach, Johann Sebastian: Fugues and Preludes; Bach, Johann Sebastian: Fugues and Preludes; Bach, Johann Sebastian: Fugues and Preludes; Johann Sebastian Bach; Inventions; Musical Offering; Organ Works; Passion Music; Suites; Miscellaneous; Bela Bartok - Alban Berg; Bartok, Bela: Bagatelles; Bartok, Bela: Bluebeard's Castle; Bartok, Bela: Concertos; Bartok, Bela: Divertimento for String Orchestra; Bartok, Bela: Folk Songs; Bartok, Bela: Fugue; Bartok, Bela: Mikrokosmos; Bartok, Bela: String Quartets; Bartok, Bela: Der Wunderbare Mandarin; Bartok, Bela, Miscellaneous; Berg, Alban; Ludwig van Beethoven; Bagatelles; Chamber Music; Concertos; Fugues; Omnibus; Quartets; Sonatas; Ludwig van Beethoven; String Quartets; Symphonies; Symphonies; Ludwig van Beethoven; Trios; Miscellaneous; Hector Berlioz - Francois Couperin; Berlioz, Hector; Bizet, Georges; Bloch, Ernest; Bourget, Paul; Brahms, Johannes: Chorale Preludes; Brahms, Johannes: Intermezzi; Brahms, Johannes: Piano Works; Brahms, Johannes: Sonatas; Brahms, Johannes: Symphonies; Brahms, Johannes: Miscellaneous; Benjamin Britten - Carl Czerny; Britten, Benjamin; Bruckner, Anton; Busoni, Ferruccio; Chavez, Carlos; Chopin, Frederic: Ballades; Chopin, Frederic: Etudes; Chopin, Frederic: Mazurkas; Chopin, Frederic: Nocturnes; Chopin, Frederic: Preludes; Copland, Aaron; Couperin, Francois; Czerny, Carl; Luigi Dallapiccola - Edvard Grieg; Dallapiccola, Luigi; Debussy, Claude: Nocturnes; Debussy, Claude: Preludes; Debussy, Claude: Quartets; Debussy, Claude: Sonatas; Debussy, Claude: Miscellaneous; Dufay, Guillaume; Duparc, Henri; Elgar, Edward; Faure, Gabriel; Fischer, Johann Kaspar Ferdinand; Franck, Cesar Auguste; Gardane, Antoine; Gesualdo, Carlo; Gluck, Christoph Willibald; Granados, Enrique; Grantham, Donald; Grieg, Edvard; Alexei Haieff - Charles Ives; Haieff, Alexei; Halle, Adam de la; Handel, George Frideric; Haydn, Joseph; Henze, Hans Werner; Hindemith, Paul; Hoffman, Richard; Ives, Charles Edward; John La Montaine - Xavier Montsalvatge; La Montaine, John; Liszt, Franz: Mazeppa; Liszt, Franz: Sonatas; Liszt, Franz: Symphonies; Liszt, Franz: Tasso; Liszt, Franz: Waltzes; Liszt, Franz: Miscellaneous; Lorca, Federico Garcia; Machaut, Guillaume de; Mahler, Gustav; Matos, Manuel G.; Mendelssohn, Felix; Messiaen, Oliver; Monteverdi, Claudio; Montsalvage, Xavier; Wolfgang Amadeus Mozart; Concertos; Minuets; Sonatas; Symphonies; Miscellaneous; Wolfgang Amadeus Mozart - Maurice Ravel; Mozart, Wolfgang Amadeus: Miscellaneous; Mussorgksy, Modest Petrovich; Nelson, Marie Barker; Pachelbel, Johann; Palestrina, Giovanni Pierluigi da; Pergolesi, Giovanni Battista; Persicchetti, Vincent; Petrassi, Goffredo; Poulenc, Francis; Prez, Josquin des; Prokofiev, Sergei; Ravel, Maurice; Nikolai Rimsky - Korsakov-Robert Schumann; Rimsky Korsakov, Nikolai Andreyevich; Scarlatti, Alessandro; Schoenberg, Arnold; Schubert, Franz: Sonatas; Schubert, Franz: Symphonies; Schubert, Franz: Miscellaneous; Schuetz, Heinrich; Schumann, Robert: Piano Works; Schumann, Robert: Symphonies; Schumann, Robert; Alexander Scriabine - Richard Strauss; Scriabine, Alexander: Preludes; Scriabine, Alexander: Sonatas; Scriabine, Alexander: Miscellaneous; Sessions, Roger; Shostakovich, Dmitri; Sibelius, Jean; Stevens, Halsey; Strauss, Johann; Strauss, Richard; Stravinsky, Igor (RESTRICTED); Newspaper and Magazine Articles; Class Materials; Stravinsky, Igor Compositions (RESTRICTED); Abraham and Isaac; Agon; Apollo Musagetes; Cantata; Cat's Cradle Songs; Concertino; Concerto for Two Solo Pianos; Divertimento; Duo Concertant; The Fairy's Kiss; Faun and Shepherdess; Firebird; The Firebird Ballet; Fireworks; Five Easy Pieces; Four Norwegian Moods; Four Studies for Piano; Histoire Du Soldat; In Memorian Dylan Thomas; Les Noces; Oedipus Rex; Orpheus; Pastorale; Petrushka; Piano-Rag Music; Pribaoutki; Stravinsky, Igor--Compositions (RESTRICTED); Rag-Time; The Rake's Progress; The Rite of Spring; Rites of Spring; Le Roi des Etoiles; Scherzo a la Russe; Scherzo Fantastique Pour Grand Orchestre; Septet; Study for Pianola; Suite No. 1 for Small Orchestra; Suite No. 2 for Small Orchestra; Suite Italienne; Symphonies of Wind Instruments; Symphony in E Flat; Symphony in Three Movements; Symphony of Psalms; Three Songs from William Shakespeare; Threni; Miscellaneous; Stravinsky, Igor--Oversize Compositions (RESTRICTED); Stravinsky: Les Noces; Octet for Wind Instruments; The Rite of Spring; The Soldier's Tale, Three Pieces for String Quartet, Zvezdoliki; Stravinsky, Vol. I; Miscellaneous Compositions; Stravinsky, Igor--Miscellaneous (RESTRICTED); Correspondence; Music Descriptions; Miscellaneous Materials; Surinach, Carlos - Wolf, Hugo; Surinach, Carlos; Tchaikovsky, Peter; Telemann, Georg Philipp; Varese, Edgard; Vaughan Williams, Ralph; Verdi, Giuseppe; Villa Lobos, Heitor; Vivaldi, Antonio; Wagner, Richard; Wakefield, Sherril; Weber, Carl Maria von; Webern, Anton von; Wolf, Hugo; Works By Other Composers--Miscellaneous Compositions; Works By Other Composers--Oversize; Beethoven, Ludwig van; Brakhage, Stanley; Debussy, Claude; Falla, Manuel de; Harsanyi, Tibor; Hindemith, Paul; Hoffman, Richard; Liszt, Franz; Mendelssohn, Felix; Monteverdi, Claudio; Pergolesi, Giovanni Battista; Pyrker, Johann Ladislav; Ravel, Maurice; Ruggles, Carl; Schubert, Franz; Schumann, Robert; Stevens, Halsey; Tchaikovsky, Peter; Miscellaneous Materials; MISCELLANEOUS MATERIALS; Miscellaneous Files; "Block out for William Faulkner's `As I Lay Dying'"; Boosey and Hawkes Incorporated Newsletters; Brakhage, Stanley; Journal of the Arnold Schoenberg Institute, Vol. I, No. I; New Music of Darmstadt; Ussachevsky, Vladimir; Wagner, Richard; Death of a Salesman, Program; A Streetcar Named Desire, Program; Film Music Notes; Miscellaneous Artwork; Miscellaneous Poetry; Miscellaneous Materials; Publications; Aida, Giuseppe Verdi; Anthology for Musical Analysis, Charles Burkhart, Third Edition. Holt, Rinehart and Winston, New York; Essentials of Eighteenth Century Counterpoint, Neale B. Mason. Wm. C. Brown Company Publishers, Dubuque, Iowa; Four Literary Historical Walks, Elizabeth Kray. The Academy of American Poets, New York; Life Magazine, "To the Moon and Back," Special Edition; Publications; Musical Acoustics, Charles A. Culver. The Blakiston Company, New York; Musical Form, Ellis B. Kohs. Houghton Mifflin Company, Boston; Projects in Musicianship, Vol. I-ll, Anthony E. Vazzana. University of Southern California; Publications; The Technique of Choral Composition, Archibald T. Davison, Oxford University Press, London; Text Book of Gregorian Chant, Dom Gregory Sunol, O.S.B., Monk of Montserrat; Workbook for Chromatic Harmony, Justine Shir Cliff, Stephen Jay, Donald J. Rauscher. The Free Press, New York; Publications; The Liber Usalis, McLaughlin &​ Reilly Company, Boston; Finnegan's Wake, James Joyce, First Edition. Faber and Faber Limited, London; Publications; An Aural Approach to Orchestration, Ellis B. Kohs; Pan Pipes of Sigma Alpha Iota, C. F. Peters Corporation, New York; Elementary Training for Musicians, Paul Hindemith Second Edition. Associated Music Publishers, Inc., New York; Publications; Example of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierlugi Palestrina and Marx Antonio Ingegneri, Gustave Fredric Soderlum. New York; Historical Anthology of Music, Archibald T. Davison and Willi Apel. Harvard University Press, Cambridge; Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters; Standard Song Classics, Ralph L. Baldwin and E.W. Newton. Ginn and Company, Boston; Study Guide for the Enjoyment of Music, Rubin Bergreen and John Castellini. W.W. Norton and Company Inc., New York; Teaching Music: The Human Experience, Shirley Mullins; Treatise on Instrumentation, H. Berlioz-R. Strauss, translated by Theodore Front. Edwin F. Kalmus, New York; Typical Piano Pieces and Songs for Student of Music Appreciation, selected by Clarence G. Hamilton. Oliver Ditson Company, Philadelphia; Publications; Artforum; Erich Lachmann Collection of Historical Stringed Musical Instruments, Allan Hancock Foundation, University of Southern California, Los Angeles; Publications; Bach's Ornaments, Walter Emery, Novello &​ Company, Limited, Kent; Goffredo Petrassi, John S. Weissmann, Edizioni Suvini Zerboni, Milano; Luigi Dallapiccola, Roman Vlad, Edizioni Suvini Zervoni, Milano; The Marriage of Figaro: An Opera in Four Acts, W.A. Mozart, Broude Brothers, New York; La Tecnica Dell'Orchestra Contemporanea, A. Casella and V. Mortari, G. Ricordi &​ C.; Miscellaneous Items; Cortes' personal materials are comprised of autobiographical and biographical materials, resumes, academic records, information on the estate of his mother, Elvira C. Good, and other items of a personal nature. There are also address books, membership lists, and daily and weekly planners. These include calendars and daybooks dating from 1966 to 1984 which document the years Cortes spent teaching at the University of Southern California and the University of Utah. Correspondence is found in box three. Personal correspondence is mostly that written between Nancee and Ramiro Cortes which dates 1959-1976. General correspondence has been arranged alphabetically. Certificates, awards, diplomas and miscellaneous information regarding schools, institutions, and competitions are in box four.; Legal papers concerning the marital settlement agreement between Ramiro and Nancee.; Copy of Good's will, a death notice, and notices of hearing probate.; Music expenses.; Handwritten copies by Nancee and Ramiro.; Real estate information and 1965 calendar.; Southern California membership list.; School of Music faculty and staff listing.; Folders 1-14 of this box are restricted until 2011.; Panel report for standard awards.; Press release and fact sheet.; Prize notification.; Press release.; Letter of notification.; Award and program.; Entry rules, letter of notification and acknowledgement of receipt of award.; Miscellaneous information.; Miscellaneous lists.; Correspondence and certificates.; General information.; The newspaper and magazine articles deal primarily with Cortes and his career and include concert and recording reviews. There are a few articles dealing with subjects and people of interest to Cortes and his work.; The programs have been arranged in chronological order and date from 1950 to 1993. This portion of the collection shows the influence of Cortes' music in the academic communities across the country. There are also a few lists of public performances from the 1950s, 1970s, and 1980s as well as selected reviews.; This portion of the collection is quite sparse, but contains various contracts, bills, rental catalogues, and royalty information.; Bills and contracts.; This section houses Cortes' compositions in forty-nine boxes. They have been arranged to coincide with the Annotated Catalogue of Compositions completed in 1987 by Vicki Curry. The compositions are arranged by the type of work. For clarity, only the work and date of each composition has been listed. For a more complete description, see the catalogue. Copies of the catalogue and detailed information on each composition can be found in box fifty-six. Box fifty-seven contains two handwritten books in which Cortes listed his works.; Pages one through fifteen.; Pages five through eleven, in English.; Pages four through nine.; Miscellaneous materials.; Pencil sketches.; No. 1: Under the Greenwood Tree (from As You Like It).; No. 2: Full Fathom Five (from The Tempest).; No. 3: Still to Be Neat.; No. 4: Come Live With Me and Be My Love.; No. 5: The Garden of Love.; No. 6: There Is Sweet Music Here.; No. 7: The Sick Rose.; Copies of numbers five through seven.; No. 8: Like To the Falling of a Star.; No. 9: Oh Do Not Wanton with Those Eyes.; No. 10: I Dare Not.; No. 11: Hence All You Vain Delights.; No. 12: A Farewell (And If I Did What Then?).; No. 13: Go, Lovely Rose.; No. 14: Why So Pale and Wan.; No. 15: Why Art Thou Slow, Death.; No. 16: Plain Dealing (Well, Well, 'Tis True).; No. 17: Upon Julia's Clothes (When as in Silks My Julia Goes).; No. 19: This Living Hand.; No. 20: She Dwelt Among the Untrodden Ways.; No. 21: Ask Me No More.; No. 22: Crossing The Bar.; No. 23: When Lovely Woman Stoops to Folly.; No. 24: I Am No Subject Unto Fate.; No. 25: A Spirit Haunts the Year's Last Hours.; No. 26: Sudden Light.; No. 27: The Last Invocation.; No. 28: The World Is Too Much With Us.; Restricted until 2011.; Publicity, programs.; Treble voice with piano, four measures.; Measures one through eight.; Pages one and two.; Various pages, timings included.; Winds, timpani, strings. Pages one and two.; Page eleven.; Page one, measures one through eight.; Odd pages.; Pages one through eighteen.; Violin, clarinet, cello, piano. Pages one through four.; End of act I, scene one.; End, scene two.; Part of full orchestra with piano.; No words.; Page fifteen.; Pages three and four.; Pages ten through twelve.; Pages one through four.; Measures sixteen through twenty.; Measures one through six.; Works for piano.; Works for harpsichord and organ.; Voice and piano (or organ).; Voice with instruments.; Choral works.; Chamber music.; Violin, viola.; Violoncello, flute.; Clarinet, alto saxophone, trumpet.; Works for full orchestra.; Works for chamber orchestra.; Works for string orchestra.; Solo concertos.; Works for band.; Stage works.; The academic materials that had been kept at the University of Utah Department of Music in Gardner Hall since Cortes' death were added to the collection in 1988. Teaching materials used by Cortes have been arranged numerically by course number and date from the late 1960s to 1984. In addition to the course materials, there are student papers, research grant materials, and miscellaneous writings. With these writings is a compilation of papers by various scholars (including Cortes) entitled "Articles on Ancient Music." Box sixty-seven contains miscellaneous writings including Cortes' poetry and personal notes.; Assignments, examinations.; Assignments, final examination.; Assignments, final examination.; Assignments, quizzes, examinations.; Assignments, quizzes, examinations.; Assignments, examinations.; Assignments, quizzes, examinations.; Assignments, quizzes, examinations.; Miscellaneous materials.; Assignments, quizzes, and examinations.; Examinations.; Assignments, quizzes, examinations.; Examinations.; Examinations, miscellaneous materials.; Examinations.; Quizzes, examinations.; Quizzes, examinations.; Quizzes, examinations.; Orchestration notebooks.; Bowing exercises.; Exercise for harp.; Assignments.; Quizzes, examinations.; Miscellaneous class materials.; Orchestration workbook.; Assignments, examinations.; Orchestration workbook.; Assignments, examinations.; Diagrams, quizzes, examinations.; Quizzes, examinations.; Quizzes.; Examinations (master copy and key).; Examinations (completed student copies).; Notes from counterpoint and orchestration classes.; Examinations.; Examinations.; Examinations, composer lists, musical examples.; Miscellaneous class materials.; Assignments, examinations.; Examinations, fugue subjects.; Examinations.; Miscellaneous class materials.; Roll books, teaching materials, and miscellaneous.; Course lists, examinations, roll books, and miscellaneous.; "Stravinsky's `Oedipus Rex.'"; "Debussy's Pelleas et Melisande: Thematic Usage in Acts I and IV."; This box contains research papers written by Cortes. Also included, in folders one through twenty one, are various additional authors.; Contributing authors include Dragan Plamenac, Lloyd Hibberd, Leo Schrade, Ramiro Cortes, Jeanne Marix, Leonard Ellinwood, Manfred F. Bokofzer, and Helen E. Bush.; Treatise by Roland Pitt.; Two sets of index cards, arranged alphabetically by composer. Cards are possible reference tools to Cortes' personal library and detail music and recording information.; These materials were originally filed with the academic materials, but it was apparent that many of the materials had been used since Cortes' death and had been misfiled. Works identifiable by course number were kept with the course materials in Section VI. Those not identified were removed and filed alphabetically by composer in this section. These materials include various compositions and score fragments and Cortes' notations and analyses concerning many of each composer's works. Materials in this section include score fragments, compositions, class materials, research notes. Boxes 84 through 88 have been restricted at the request of Nancee Cortes. These boxes contain class materials, research materials, newspaper and magazine articles, compositions, correspondence, and Cortes' personal notes dealing with the works of Igor Stravinsky. These items are closed until 2011.; Harmonized Chorales and Chorale Melodies.; Brandenburg Concertos.; The Art of Fugue.; Fugue in F Major.; Organ Fugue in F Major.; Organ Fugue in G Minor.; Organ Passacaglia and Fugue in C Minor.; Toccata in E Minor.; Toccata in D Minor.; The Well Tempered Clavier, Volumes I and II.; Piano Concerto No. 3.; Symphony No. 3 in E Flat Major (Eroica).; Boxes 84 through 88 have been restricted at the request of Nancee Cortes. These boxes contain class materials, research materials, magazine and newspaper articles, compositions, correspondence and Cortes' personal notes dealing with the work of Igor Stravinsky. These items are closed until 2011.; Handouts, notes, notebooks, and miscellaneous.; Descriptions written by Cortes for each work are in box 88. See also description for box 84.; See description for Box 85.; See description for Box 85.; See description for Box 84.; To and from Cortes relating to his studies of Stravinsky's works.; Descriptions of Stravinsky's works.; Famous Symphonic Poems in Score.; This section is comprised mainly of miscellaneous published and unpublished texts used by Cortes in his teaching, research, and composing. Most of the published materials have notations in the margins. Other items were of sentimental value to Cortes. Box 92 contains miscellaneous poetry, literature, and artwork as well as a few newsletters. Two items are of particular interest: The Liber Usalis, given to Cortes by Joseph Iadone, one of his first music teachers, and a first edition copy of Finnegan's Wake signed by the author, James Joyce.; Poem entitled, "Lines for Christmas."; Biographical pamphlets and program from Ussachevsky's 75th birthday celebration in 1990.; Program and newspaper articles about the film Wagner and miscellaneous notes by Cortes concerning Wagner's life and music.; Official publication of the National Film Music Council.; Program for the film Napoleon.; Libretto.; Third edition.; Signed by the author. This book is stored separately from the collection.; Signed by the author.; Signed by Maurice Abravanel.; This box contains various items of value to the composer, including the 1961 Concours Musical International Reine Elisabeth de Belgique Third Prize medal; a University of Utah Centennial token, and Cortes' Palmer Cadencia metronome.
  • Photographs (P0264) and audio/​visual material (A0264) were placed in the Multimedia Division of Special Collections. See also the Nancee Cortes Papers (Accn 1172).
  • UU_Ms0513
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  • Twenty-four hours advance notice encouraged. Access to parts of this collection may be restricted under provisions of state or federal law.
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  • English
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