Spessivtseva, Olga (1895-1991)

NLA Persistent Identifier
http://nla.gov.au/nla.party-780061

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Born in Rostov, Olga Spessivtseva trained at the Imperial Ballet school in St Petersburg, graduating in 1913. Later studying under Ekaterina Vazem and Agrippina Vaganova, she danced with the Maryinsky Theatre as a soloist from 1916 and ballerina from 1918 and was a ballerina with the Ballet de l'Opera, Paris, from 1924 to 1932. She appeared intermittently with the Diaghilev Ballets Russes in the United States, London, Monte Carlo and Paris, notably dancing Princess Aurora in Diaghilev's 1921 landmark production of the Sleeping Princess and creating the title role in Balanchine's La Chatte in 1927. In 1931 she performed in Buenos Aires under the direction of Michel Fokine, and in 1932 with the Camargo Society, London, where she was partnered by Anton Dolin in Giselle.

Spessivtseva came to Australia in 1934 as a star drawcard of the Dandre-Levitoff Russian Ballet Australian tour for which she was billed as Olga Spessiva. Her opening night performance in the lead role of Swan Lake Act II, partnered by Anatole Vilzak, was described in Brisbane's Courier Mail as 'the embodiment of poetic thought in illustrative movement'. Her performance as Columbine in the Australian premiere of Le Carnaval was similarly acclaimed. As the tour progressed, however, Spessivtseva's health deteriorated. She consequently missed a number of Sydney performances and did not appear in the Melbourne and Perth seasons. Her final Australian performance as Columbine in Le Carnaval for the company's closing Sydney performance on 28 November 1934 was one of her last public appearances.

In 1939 Spessivtseva settled in America, where she was advisor to Ballet Theatre New York until 1943 when she suffered a mental breakdown. In 1963 she moved to a Russian settlement at Nyack outside New York.

Meryl Tankard based her 1988 solo work Two Feet in part on Spessivtseva's mental health issues. Two Feet used two characters, Spessivtseva and Mepsie, a semi-autobiographical figure, to explore the obsessive perfectionism of dancers.

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  1. Kellaway, Leon (1905-1990)
    ... company, with Lydia Kyasht and with the Dandre-Levitoff tour that brought Olga ...
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  2. Kouznetsova, Raisse
    ... in 1934 with the Dandre-Levitoff Russian Ballet, the company led by Olga ...
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  3. Algeranoff, Harcourt (1903-1967)
    ... Australia in 1934-35 and with which Olga Spessivtseva appeared, the ...
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  1. Two Feet (1988 - )
    Two Feet (1988 - )
    Created by NLAdance, 10 items.

    Two Feet premiered as part of World Expo on Stage in Brisbane at the Cremorne Theatre, Queensland Performing Arts Centre on 2 May 1988. A solo show created and directed by Meryl Tankard wi...

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  2. Dandre-Levitoff Russian Ballet tour (1934 - 1935)
    Dandre-Levitoff Russian Ballet tour (1934 - 1935)
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    The Dandre-Levitoff Russian Ballet, which toured Australia from late 1934 to early 1935, was directed by Victor Dandre in conjunction with the impresario Alexander Levitoff. Dandre was Anna Pavlov...

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  3. Le Carnaval (Australian context)
    Le Carnaval (Australian context)
    Created by NLAdance, 18 items.

    Michel Fokine's ballet Le Carnaval was first seen in Australia in 1934 when it was presented by the touring Dandre-Levitoff Russian Ballet...

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  1. Website: Australia dancing
    www.australiadancing.org
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  2. Website: Dancelines.com.au
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  3. Website: Behind Ballet
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  1. Irina Baronova interviewed by Lee Christofis
    Baronova, Irina, 1919-2008
    [ Sound : 2007 ]
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  1. The Oxford dictionary of dance / Debra Craine, Judith Mackrell
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  2. The Concise Oxford dictionary of ballet / [compiled by] Horst Koegler
    Koegler, Horst
    [ Book, Article : 1977-1982 ]
    Languages: English, German
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  3. The great history of Russian ballet : its art and choreography / [translated into English by: V. Arkadyev, I. Bershadsky and F. Kreynin]
    [ Book : 1998 ]
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  4. Les Ballets russes à l'opéra / texte, Martine Kahane ; iconographie, Nicole Wild
    Kahane, Martine
    [ Book : 1992 ]
    Languages: French
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  1. NEW PUBLICATIONS. "Ballet: Traditional to Modern," by Serge Lifar. Illustrated. Putnam's, London. 15/. From the Publishers.
    The West Australian (Perth, WA : 1879 - 1954) Saturday 18 February 1939 p 4 Article Illustrated
    ... dan seuses of genius, such as Anna Pavlova or Olga Spessivtseva, have occasionally given proof of a ... Pavlova and Olga Spessivt zeva in the new ballet of the twentieth century. Of these, Mile. ... 802 words
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  2. Development of the Art of Ballet
    The Advertiser (Adelaide, SA : 1931 - 1954) Saturday 8 April 1939 p 9 Article Illustrated
    ... enthusiasm was not accorded the exquisite Anna Pavlova, nor the ballerina assoluta, Olga Spessivtseva, although the old-time theatregoers can still remember the rousing recep tion which was given the ... array of si&rs cf the Imperial stage. Anna Pavlova. : Thamar Karsavina, Matilda Kshesins ; kaya. Olga ... 2082 words
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  1. Olga Spessivtseva; Ballerina called one of century's greatest 'Giselles.' (obituary)
    Los Angeles Times
    [ Article : 1991 ]
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  2. The Oxford dictionary of dance / Debra Craine, Judith Mackrell
    Craine, Debra
    [ Book, Periodical, Article : 2000-2013 ]
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  3. Olga Spessivtseva; Obituary.(Features)
    The Times (London, England)
    [ Article : 1991 ]
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  4. The Concise Oxford dictionary of ballet / [compiled by] Horst Koegler
    Koegler, Horst
    [ Book, Article : 1977-1982 ]
    Languages: English, German
    Read online at Open Library/Internet Archive
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    At 66 libraries
    The Concise Oxford dictionary of ballet / [compiled by] Horst Koegler
    This resource may be of limited relevance to your query (score: 0.126)

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