Judy Cassab is one of Australia's best known portrait painters and the winner of many prestigious art awards including the coveted Archibald Prize. Austrian-born and of Hungarian parents, Judy Cassab emigrated to Australia in 1951 with her husband and two children. In Australia, she quickly gained a reputation for her distinctive expressionist technique and portrait abilities. In 1969 Judy was appointed as a Commander of the Order of the British Empire (CBE) for her service to the visual arts. In 1988 she was also appointed as an Officer of the Order of Australia (AO). Following the publication of her diaries in 1995, Sydney University conferred upon her the honorary degree of Doctor of Letters (Hon. PhD). In 1996 she also won the Nita B. Kibble Award for women writers.
When she was 12, Judy Cassab began two practices that would become lifelong rituals; she started painting and began to keep a diary. Later in life, in a retrospective moment, the internationally renowned portrait painter and published diarist explained how painting and writing came to feature so prominently in her life:
'I had always thought that I expressed my thoughts with a brush. I never knew that I could write. Writing, I thought, is just a habit like washing my teeth; I could not go to bed without doing it. I do not feel anxious about my paintings. I can always paint others. It is different with the diaries. I lost the first 11 years of my diaries when they were left in my childhood home in Beregszász and perished during the war. I lost everything else I had there. But objects, even beautiful objects are replaceable. One can never recapture a 12-year-old self.'
Judy Cassab was born Judy Kaszab in Vienna, Austria, in 1920, to Hungarian parents. In 1929 the Kaszab family returned to Hungary where her parents separated and Judy spent the rest of her childhood years living in her grandmother's house.
In 1939, only after making him promise that their marriage would not stand in the way of her being a painter, Judy married Jancsi Kampfner. Jancsi not only kept the promise throughout their long marriage but was sometimes the one who had to creatively enforce it when Judy herself was willing to put her travelling aspirations aside if it meant being able to stay with her husband and young children. Judy recalls that during one of her crying fits about a proposed overseas trip, Jancsi who was staying behind with the children, finally exclaimed 'we are only half of your life. Stop being such a coward.'
The first years of their marriage were plagued with the horrors of World War II. Jancsi was sent to a forced slave labour camp and was one of the few to survive. It was Jancsi who, nonetheless, encouraged Judy, if the opportunity were to arise, to flee to Budapest to study painting. She did. Between 1939 and 1949 she studied art in Prague and the Budapest Academy and although her studies were interrupted by Nazi occupation, she managed to survive by going underground and hiding her Jewish identity. It was the first time in my life,' she says, 'that I was not a girl, not a woman, not a human being, but a Jew'. After many years of hardship and loss, in 1951, already an accomplished painter, Judy, Jancsi and their two Budapest-born sons, were able to emigrate to Australia.
Since her first solo exhibition at the Macquarie Galleries in Sydney in 1953, Judy Cassab has held well over fifty solo exhibitions throughout Australia as well as in Paris and London. In 1969, as the only woman to have won the Archibald Prize twice and having collected another 10 major art prizes, Judy Cassab was appointed as a Commander of the Order of the British Empire (CBE) for her service to the visual arts. In 1988 she also appointed as an Officer of the Order of Australia (AO).
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Australian Women's Register
Painter born in Austria. Resident of Sydney she is a prolific and accomplished artist, able to paint portraits in a single sitting if necessary. Cassab has also worked as a muralist providing a mural for the Rex, Potts Point, Sydney in 1953.
painter, was born Judit Kaszab in Vienna, Austria, on 15 August 1920, to Hungarian parents Imre Kaszab and Ilona, née Kont. Her parents soon separated and Judith went with her mother back to Hungary to live with her grandmother. She wanted to be an artist from an early age, even though she had little experience of galleries and paintings; when she was twelve (1932) she drew a charcoal portrait of her grandmother (reproduced in Klepac). She began her studies at the Academy of Art in Prague in 1938; the following year she married Jancsi (John) Kampfner, a man twice her age.
The outbreak of World War II changed everybody’s life; in the Kampfners’ case, Jancsi was sent to forced labour camps in Poland and Kiev and Judith’s mother was sent to Auschwitz. Judith worked in a factory under the assumed name of her Catholic maid Maria Koperdak, putting her artistic skills to use after hours as a forger of papers and passports. When the war ended, her husband returned; their first child was born on New Year’s Eve 1945.
Life in post-war Europe had little to offer them. The Kampfners and their (now two) sons obtained permission to migrate to Australia. They arrived at Sydney in 1951, living first at Bondi and later Woollahra. Judith soon made contact with other Sydney artists – including Michael Kmit, Paul Haefliger, Jean Bellette and Desiderius ...
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Design and Art Australia Online